As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies...(展开全部)

“Expanded cinema” encompasses film, video, performance, and multiple-projection. While video in museums has received considerable attention, experiments beyond the exhibition space have not. Here, leading scholars trace expanded and multiscreen cinema from its origins in early abstract film and the Bauhaus era to postwar happenings and live events in Europe and the United State...(展开全部)

Once upon a time, doctors across Eurasia imagined human beings in ways that strike us today as profoundly strange and alien. For over 2,000 years, they worried anxiously about fluids to which our modern doctors spare hardly a thought (such as sweat, phlegm and qi) and they obsessed over details (such as whether a person’s pores were open or closed) whose meaning and vital impor...(展开全部)

Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. "Killer Tapes and Shattered Screens" examines how prerecorded...(展开全部)

Frank White's "Viscous Fluid Flow, Third Edition", continues to be the market leader in this course area. The text is for a senior pr graduate level elective in Mechanical Engineering, and has a strong professional and international appeal. Author Frank White is has a strong reputation in the field, his book is accurate, conceptually strong, and contains excellent problem sets....(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

This is the most comprehensive introductory graduate or advanced undergraduate text in fluid mechanics available. It builds up from the fundamentals, often in a general way, to widespread applications, to technology and geophysics. New to this second edition are discussions on the universal dimensions similarity scaling for the laminar boundary layer equations and on the genera...(展开全部)

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

This pioneering text provides an excellent introduction to CFD at the senior level in aerospace and mechanical engineering, and to some extent, chemical and civil engineering. It can also serve as a one-semester introductory course at the beginning graduate level, as a useful precursor to a more serious study of CFD in advanced books. It is presented in a very readable, informa...(展开全部)